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Upcoming engagements include recitals and concerts with orchestras in Italy and Germany in collaboration with Nikolaj Znaider, and at the Ravinia Festival.

A graduate of the Leningrad Special School for the Gifted and the Leningrad State Conservatory, Misha Quint made his orchestral debut at the age of 13 after winning first prize at the Boccherini Competition in St. He gained international recognition after capturing top prizes in the 1975 International Competition in Prague and the Russian National Competition.

Quint’s discography includes Live Cello Recitals and Valse Sentimentale on the Volshebnik Productions Label, and the 2014 release of Tempo Trapezio and 2016 release of Matryoshka Blues on the Blue Griffin Label.

Misha Quint is strongly committed to teaching and is on the faculty of Mannes School of Music Prep at The New School in New York City.

Her compositional style finds emotional intensity by probing the limits of the instrument's potential: "I really get into the depth of the instrument's soul and try to ...

No dry study, his Opus 6 is a Scherzo: a 'joke.' Despite its nightmarish difficulty, it must be delivered with the playful timing of a punchline to come off. He wrote it for a close friend, cellist Robert Hausmann, to whom it is dedicated and by whom it was first performed.Russian-born cellist MISHA QUINT captivates his audiences with his lyricism, passion and dazzling technique.Described by Harris Goldsmith as a "brilliantly accomplished virtuoso - an embodiment of interpretive and executive music-making at its rarefied best", his repertoire ranges from Bach to premieres of the most outstanding composers of today, including Alfred Schnittke, Sophie Goubadalina, Robert Sirota, Shulamit Ran, Steven Gerber, Nathan Davis, Ezra Laderman, and Stepan Lucky.More than mere mouthpieces, they are close collaborators, instigators, and creators in their own right.Carrying on this tradition, IIMF presents a program of music commissioned, arranged and composed by some of the greatest cello virtuosi of the last 200 years, in which they combine technical prowess with a deep and intimate knowledge of the essence of their instrument.

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